Monday, March 12, 2012

lyrics and popular Indonesia,D’Masiv Natural

Search the latest lyrics and popular Indonesia has been found. You are looking for is the Backstreet Boys D’Masiv Natural.

lyrics:
ku suka kamu apa adanya
senatural mungkin aku lebih suka
ku suka kamu begini saja
bukan karena ada apa-apanya dari yang kau punya
aku hidup di dunia
ingin tenang baik-baik saja
bersamamu aku bisa melewati itu

bukan aku yang mencarimu
bukan kamu yang mencari aku
cinta yang mempertemukan
dua hati yang berbeda ini

ku suka kamu apa adanya
senatural mungkin aku lebih suka
ku suka kamu begini saja
bukan karena ada apa-apanya dari yang kau punya

aku hidup di dunia
ingin tenang baik-baik saja
bersamamu aku bisa melewati itu, melewati itu

bukan aku yang mencarimu
bukan kamu yang mencari aku
cinta yang mempdrtemukan
dua hati yang berbeda ini

cinta yang mempertemukan
dua hati yang berbeda ini

bukan aku yang mencarimu
bukan kamu yang mencari aku
cinta yang mempertemukan
dua hati yang berbeda ini
dua hati yang berbeda ini

Thursday, February 23, 2012

Easy procedure to play the guitar melody

learn guitar melodies also perfunctory, never the course, self-taught but at least I can play some of the key / chord and also accompany the song. But I also still want to keep learning to master this instrument to keep playing and learn some basic theory of the guitar.
The most important thing before actually playing the guitar melody is to know the basic theory of the formation of chord, like major, minor, diminished, augmented, suspended. But I think the parent is in a major scale. Exercise at least we used to play do-re-mi-fa-so-la-si-do in various keys and fret positions.

We should be able to play a key doremi is in any C, E, D, A, G, etc. ..
Because the actual type of chord from there.
Major = 1 -3-5
Minor = 1-b3-5
Diminished = 1-b3-b5
Augmented = 1-3-5 #
Suspended = 1-4-5


Then it is also important to know the progression of each key. Some of the more popular are the 1-4-5 and 1-6-2-5.
1-4-5 means, if we suppose that the base tone to play in C,
Then 1-4-5 = C-F-G, and 1-6-2-5 = C-Am-Dm-G


If you want some more we can add insight to learn arpeggio, pentatonic scales and also a few licks that can be used as a template in the play. But the key is in the major scale (doremifasolasido) it. For the arpeggio tone is also broken down from there, just play each note individually and separately. Pentatonic is the same, not taken away, but we only take 5 tone only.

If my friend would, please learn or maybe looking for a friend as a place to learn, or tutor as well. He .. he
I mostly learned from my uncle (before she married), he has not ever take guitar lessons. Only once he was often on stage a young age, studying capital pake ear, and also stole the science from his comrades.

As with the beginning of yesterday I was told to play "twinkle-twinkle little star" complete with guitar chord melody it. And I also have to be able to play in any key. It sounds trivial but Whew .. difficult for mercy. Though easier to solo guitar lick ngulik other because there is help and videos internet tab.
At least I've slowly started to catch the melody and can play spontaneously in any key.


To lick the slash class, Satriani, steve vai, paul gilbert, yes la.hahaha yet.

If a friend played guitar melodies there other tips, please be written in the comments box below. Tips may be useful at other friends throughout the archipelago.

Videos how to play guitar melody

Before we go any further, please you ask yourself first because I did not want to waste your time. . .
Can I play the guitar with skill and musicality that I want?

Can I see all of the existing scale on the fretboard. . . without having to think again?

Can I memorize the chords and read tablature?

If you answered "Yes" to all three questions above. . . then you do NOT need to read further. . . and if you answer "NO" then please read the rest of this page carefully.

How to Learn Guitar Techniques Melody On The Fast And Easy Pahamai.
This video tutorial just about the course, they may help you in playing Guitar Melody.

Tuesday, February 21, 2012

Video Balinese Gender Wayang Instruments

Like Balinese Gamelan? I'll try to share puppet Instrument.semoga BALI Gamelan Video can increase your knowledge.

Gamelan Pelegongan BALI

Originally known as Semara Patangian, this court gamelan is used to accompany legong and Calonarang dances. It may also be modified by use of a large drum to accompany barong, sandaran and jauk dances. The set also features a terompong which may be used for playing the ethereal court melodies. When we purchased their antique Pelegongan, it was in poor condition and in need of restoration. After five years of love and care, it now sounds better and better at every performance. The order of the keys is in the old style with the smallest key, ndang, on the left, rather than the usual order starting with the low nding. The set also includes rare instruments such as a gentorag (bell tree) as well as a pair of gumanak (bronze tubes hit with sticks). Our group plays the repertoire of I Wayan Lotring of Kuta and other anonymous composers from Denpasar. The majority of this repertoire dates back to the early twentieth century. In 2004, engaging guru I Wayan Mandra and senior advisor I Ketut Nagi (deceased), our group revived some of the near-forgotten instrumental pieces once known in Sanur. These originated in Kelandis and were taught to the Singgi musicians in the 1950s by I Kecug from Pagan Kelod. We never recorded however, and it has not been until the death of Nagi in 2010 that we started to work seriously on documenting the style via recording – this is one of our ongoing projects. Pelegongan dance music heralds from an earlier time when the courts were still active and most courts supported groups of nandir, leko or legong dancers.

The term understanding and How to Play Slap Bass

For the bass player istilah2 beginners often a confusing mess around with, like Slap, Typing, Hammer On, Pull Off and much more. I'll try to explain a little what I know about istilah2 in playing bass.For the bass player istilah2 beginners often a confusing mess around with, like Slap, Typing, Hammer On, Pull Off and much more. I'll try to explain a little what I know about istilah2 in bass playing techniques.

The first one we will discuss is about Slap. Slap technique is a technique that is full of rhythmic and percussive style. The basis of the technique is the movement of Thumb slap game (T) and Pluck (P). The point is menamparkan right thumb into a string bass, followed by the other fingers tear the strings are different. If you play slap technique, you must find the right position and convenient for you. The technique used to slap the flow of music played in funk and R & B. But according to perkebangan times, this technique can be used on any type of music. A major slap in the playing technique is a prelude to playing clean and playing fast. Maybe that's all I can say, if something is missing please add because we are here sama2 studied music, especially bass.

Slap E string and then put your finger (Playing Hand) on a vibrating string (but not touching the fret) so that the vibration stops.
So far been able to understand right? Mute This method is what I mean.

SPECIAL NOTE:
Try to listen to Van Halen song 'Run with the Devil'. Consider the game of bass in the intro song Antony. As there is throbbing bass. Create a voice, stop at all, make the sound again, stop again ... and so on. It's so simple ...
Ghost Note in fact in my opinion is not a tone, but only as a percussive beat in the notation line. If Mute is used to stop the string sustain, then Ghost Note played at the Mute done. The meaning is this: Put your Hand Playing on the strings (as do the Mute), then pick / Slap string.
One more thing, this method is similar to the method of Harmonic, but if examined Harmonic will have greater resonance than Ghost Note. Harmonic also mempuyai certain point Spot, while Ghost Note in my opinion can be anywhere.

How To Play Bass For The Bass Player Beginner

There are some easy ways to play the bass that can be taken by the bass player beginners. Prior to playing bass, we should assume that we are going to play bass is an extension of our hands as we are more free to explore our imaginations with medium bass earlier.

Bass is one of the instruments is quite familiar to our ears. When she heard about the word "Bass" we would immediately reminded of Mariah mas, mas Frenky, mba 'Ices and the bass player who is not less great. Bass generally had 4 strings, but in streams such as jazz, funk, and progressive always have more than 4 strings. In playing music, the bass drum always follow the rhythm pattern to form a groove. There are some easy ways to play the bass that can be taken by the bass player beginners. Among them are the following:

Prior to playing bass, we should assume that we are going to play bass is an extension of our hands sehigga we are more free to explore our imaginations with medium bass earlier. Next is the familiar pattern of rhythmic beat of the drum so that we can easily to form a pleasant groove. For the position of the hand, we should strive to be more relaxed so as not to tire easily. Pick up the bass also determines the style in our game. The main thing is feeling, because if we do not play the bass by using a sense, the game will feel dirty even if we have enough skill to play bass.
The exercise should also be socialized in a standing position. This is so that when it will appear on the stage we have mastered the transition from one fret to another fret. Also determine the position of bass in the game. If I own more comfortable if his position slightly to the lower abdomen.
In the game of bass known term "fingering" or penjarian. When playing bass fingering also greatly affect the game. The position of the fingers when pressing the strings on the fret board should be straight down so that when switching fret no empty spaces. Position of thumb also should not hang over the fret board as it makes the fingers press the strings to be not optimal. Apart from fingering, also known as the term "picking". Picking is how to strum the strings on the bass. How To pluck the strings on the bass there are two ways, namely by the use of fingers and also by using a pick. The use of a pick normally to the flow of loud music like punk, metal and underground music types. For the style of play we could emulate the style of some well-known bass player like Billy Seehan, bass player Flea RHCP or Dream Theater, John Myung. Each of them has a different style of play from each other according to their respective genres.

Maybe that's all I can tell on this issue. But all that I described above would be useless without the will, because it all depends on our willingness to explore music, especially bass.

Monday, February 20, 2012

Techniques How to Play the Harp

Harp(Kecapi),when this instrument when played makes us shudder. not shiver like seeing the devil you know, he .. he. the melodious strains of this instrument makes you feel peaceful. This instrument has also been aired on television as one of the harp, played in the restaurant of Java. let us learn to play stringed instruments this.

Technique is meant to play excerpts Kacapi Kacapi to nenghasilkan tone composition (gending) optimally. Meiliputi many ways the fingers are used and the positions and movements of the fingers when plucked string (wire).
Kacapi passage technique is often used, especially in the splash witty Sunda, kawih Kacapian, and Cianjuran, globally there are three kinds of sintreuk-toel mugged, and dijeungkalan. Which distinguishes between the refinement of one another, as noted above, in addition to the number of fingers used is also the position and movement of the fingers when picking the strings. Thus the tones (gending) produced the fingers will be different pu! A. For more details of the above three techniques, the authors will explain one by one following the example of his training in the form cacarakan (Kacapi passage ways), the material refers to the common goal is to educate students in order to demonstrate the techniques Kacapi passage into the form of arrangement ( instrumental) and pirigan song (accompaniment track).
The explanations and exercises are as follows:

Sintreuk-toel are excerpts Kacapi technique by using two fingers in the right and left index finger. Position and movement of his fingers is: a right index finger folded into daiam, the tip touches the strings with his fingernails nyintreuk movement (flick), and two left index finger slightly curved downward, the tip touches the strings with his fingernails noel movement (with the touch of a fingertip), so that the movement of The second finger produces a tone composition (gending) is desired. There is a unidirectional movement in gembyang tone (octave) or kempyung (chord), there is the opposite with a different tone, and some are like the telunjukkanan shouted to each other and left. Function of each finger on something equally as presenter melody, some are right index finger as a presenter left the melody and bass as a presenter and others. This means that depending on the needs musikainya.

Mugged techniques (how rich criminals yes, hihi) is the excerpts of the position and gerakanjarinya Kacapi especially the right hand fingers, like menjambret2 ie three tones sounding simultaneously, by using the thumb, forefinger and middle finger. While the position and movement of the left hand (thumb and forefinger) as ngajeungkalan. Function of both the hand of each as a presenter accompaniment (right hand) and a renderer bass (left hand). Mugged technique usually used to accompany songs, rhythmic march Sundanese (fast tempo). Practically, the technique has only one motive mugged. Therefore, in cacarakannya only be oriented in tone to be played alone, which in terms of tradition called kenongan. For example, techniques mugged in kenongan 5 (la).
oya.,. keep ya harp, not to harp on the claims by neighboring countries.

About History of Harmonica Memories

The harmonica is an instrument that is most easily played. Just blow and suck harmonica would sound pretty good. Harmonica derived from traditional Chinese musical instrument called 'Sheng' which has been used about 5000 years ago since the empire Nyu-kwa.


Modern harmonica was invented in 1821 by Christian Friedrich Buschmann. A simple brass instrument consisting of vibrating plates of metal arranged in horozontal with poor design and only provides inflatable chromatic tones.

The initial design of Buschmann ultimately widely imitated and modified for the better. One example is the harmonica that Richter made ​​a preliminary design of a modern harmonica. In 1826 he developed a variation of the harmonica with 10 holes and 20 plates fixed to the vibrating plate separation of functions is blown and the exploited. In the end, the tone is made ​​by Richter referred to as ringing tones and is a standard diatonic harmonica.
Seydel Family 1847 "Johann Christian August Seydel Seydel and Christian" who previously was a family of miners in Sachsenberg-Georgenthal / Saxony began to develop the harmonica instrument making business in because of its mining operations are suspended.

Manufacturing plant in Klingenthal harmonica in place at the foot of the mountain 'Aschberg', then the mngukuhkan seydel ourselves as the manufacturer of harmonicas in all regions of Saxony.

In 1857 when German craftsman named Matthias Hohner hours decided to become a manufacturer of harmonicas. With the help of his family, he can produce 650 harmonica year. Hohner harmonica introduced into North America in 1862 a move that brings the manufacturer into the number one producer Hohner harmonica separately. In 1887 Hohner was producing more than 1 million harmonicas annually. Now, Hohner has manufactured more than 90 models of different types of harmonicas, tone, and the model. Which allows to play various musical styles ranging from pop, blues, rock, country, ska and various others.

Drum Technique How to Play the Right and easy

A good way to play the drums and how to exercise.
So in the short term we can skillfully play drums?
but we must be positioned correctly drumset, in particular by:
According to personal observations, every new beginner drummer has drum or even long. Having an "error" in setting it. Issue to drum ngeset actually quite vital, if you set it in a way and a wrong shape will affect its impact on the game and your own body. Drum sets that are not comfortable going to hurt the body like the back of a bent and hands become sore because of all of them apart quickly. And because you do not feel comfortable while playing the drums, the game automatically you will be hard to develop. In addition, if the drum is set correctly ... drum itself will look better (good looking). Image A1 is the correct position while A2 is the wrong picture. Visible difference is not it?


In the figure A1 tom-toms closer together. Snare drum is rather high so it is easy to use technique rimshot. Floor tom-tom tom is close to 13 ". Hihat little low so that 'playing area' more broadly, you can play the top hihat also not only on the edges only.

In the figure A2 tom-tom apart so hard to play a fast roll. Snare drum tilted too low and that it's almost impossible to play a rimshot. Floor tom-tom is too low skew and thus difficult to access. Hihat and cymbal too high so that the 'playing area' is very limited, only the edges are easily accessible.

To install the tom-tom to be more meetings, you need to install the tom-tom higher. And to easily reach the high tom-tom, live alone Insert your drum chair position. Playing drums with a rather high position would make the body a little more relaxed. See position tom holder, B1 and B2 are completely wrong. If the tom-toms closer together, you will be able to play the roll easily and will feel more comfortable and easier to play.

Look at the difference in the images C1 and C2.

In the illustration below looks at all the difference. The truth, the drums were close together and the position is rather high so it is more unsightly and wrong, all positions are far apart and the lower drum so that the drum looks ugly. Note: Always raise your seat position to be able to play a set of 'correct' in comfort.


And these are your tips for good pemrmainan Drum:

Here are some important tips in playing the drums and musical instruments for beginners loe, who was about to learn this instrument, this course can help loe before playing this instrument.

A. Use ear plugs (ear plugs) to protect the ears from damage, and always use in training and performing.
2. Get used to using a metronome every time you practice loe drum so that the tempo is always stable.
3. Relax, play the drums do not strain and do not waste any energy, there is no point.
4. Always prepare the stick itself is more than one pair if you want to perform.
5. Do not get satisfied with the knowledge that can loe, continue to increase knowledge.
6. Do not be fanatical in one or two songs just flow, it is this which can inhibit the creativity of players and make the game loe become monotonous and boring. Try different kinds of music and try to loe can play all the music flow.
7. In bermainan drum must involve benar2 feel or have felt, must not hit and do not ever think that the louder the better punches loe. And do not think that the sooner loe loe loe to play it more intense. Not really, violence and speed has nothing to do with musicality.
8. Practice of the tempo is slower and if you are very familiar, slowly increase the tempo. Is not loe must learn to walk first and get away.
9. Listen to other musicians, do not just focus on yourself, listen to others.
10. Be creative drummer, give variation on every game of the loe drum can. Because the drum is still something 'new', there are many new variations that can get loe. [Klinikdrum]

Note: For loe ear plugs can be bought in pharmacies or in a large store that sells military perlengakapan. For each metronome music store there, and look for the digital.

Saturday, February 18, 2012

Traditiona Music As a Tool flute Sundanese

Flute definitions:
Flute is one type of musical instrument playing technique Sundanese blown way. Thus, the flute as a musical instrument to rely more on air as a producer of sound or tone.
Made of hollow bamboo flute 4, 5 and 6, flute wind instrument with holes 4 is widely available in Java. In West Java there are 4 holes in the flute, among others; distilled gamelan, flute bersurup pelog, salendro flute, and flute madenda four holes.

Sundanese flute six hole (Liang Genep / Flute Length)
Six hole flute is also referred to as distilled pelog. Flute called pelog also because the flute has a barrel "slendro" distilled or distilled-barreled pelog pelog, has 6 (six) holes tone. But the tone of his voice made ​​up of seven tone tone which includes: 1 (da), 2 (mi), 3 - (ni), 3 (na), 4 (ti), 5 (la), 5 + (leu). Amount of the notes contained in the six hole flute with the exact same notes contained in the "Gamelan Pelog". therefore, a long flute / six hole flute is also called "distilled pelog", while the barrel contained in a four hole flute at his lack of the barrel, there are 3 types, namely: Pelog Barrel, Barrel Madenda, Laras Salendro. Each barrel has penjarian techniques that differ from each other. Other terms of the six hole flute is "flute song" as usually used in music to accompany songs Sundanese (cianjuran). Six hole flute is sometimes referred to as distilled kawih, when used to accompany songs kawih, differences kawih flute and flute song lies in its function and size surupan used, as for the size surupan used to accompany songs sundaan (cianjuran) is berkisan on the size length of 57 cm -61 cm; sedangkaan for flute kawih ranging from 50 cm-56 cm

Introduction of Gamelan of Central Java and Yogyakarta

Gamelan orchestra is a musical ensemble that usually highlight metallophones, xylophone, drums, and gongs. The term gamelan refers to the instrument / tool, which is a unified whole that is realized and sounded together. The word itself comes from Gamelan Java language gamel which means hitting / beating, followed by an ending that makes it a noun. Gamelan orchestra mostly located on the island of Java, Madura, Bali, and Lombok in Indonesia in various types of ensemble sizes and shapes. In Bali and Lombok today, and in Java through the 18th century, the term is considered synonymous with the gong more gamelan.
kenong


bonang

drums kendang

saron or balungan

Preceded the emergence of gamelan with Hindu-Buddhist culture that dominated Indonesia in the early days of recording history, which also represents the original Indonesian art. Instrument was developed to shape up like this at the time of the Majapahit Kingdom. In contrast to the music of India, the only impact of the India-an in gamelan music is how menyanikannya. In Javanese mythology, the gamelan dicipatakan by Sang Hyang Guru in Saka Era, the god who controlled all the land of Java, with a castle on the mountain Mahendra in Medangkamulan (now Mount Lawu). Sang Hyang Guru is first created the gong to summon the gods. For a more specific message and then create two gongs, then eventually formed gamelan set. [Citation needed]
The description of the ensemble's first musical instrument was found in the temple of Borobudur, Magelang, Central Java, which has stood since the 8th century. Musical instruments such as bamboo flute, bells, drums in various sizes, harp, stringed musical instrument that is swiped and learned, is found in the relief. However, little is found elements of metal musical instruments. However, the relief of the instrument is said to be the origin of the gamelan.
Tuning and making gamelan orchestra is a complex process. Gamelan using a four-way tuning, the slendro, slendro, "gamelan" (special area of ​​Sunda, or West Java), and "madenda" (also known as the diatonic, the same as the original minor scale that is widely used in Europe).
Gamelan music is a combination of the influence of foreign art that diverse. Not regard the tone of Chinese musical instruments of Southeast Asia, drum band and move to music from India, bowed strings of the Middle East, Europe and even the military style that we hear the traditional music of Java and Bali today.
The interaction component is loaded with melody, rhythm and timbre to maintain the glory of Balinese gamelan orchestra music. The pillars of this music brings together a range of rural community character of Bali is the typical order of music which is an inseparable part of everyday life.
For the area around Central Java and Yogyakarta gamelan usually consists of two pangkon (type) that is Slendro and Pelog having a different pitch. Slendro is basically a tone approaching minor Pelog while generating a tone that tends to approach the diatonic tones. The following set of Javanese gamelan are generally most pronounced in Central Java, including:

A. Drums(kendhang)
Drum is a musical rhythmic (not pitched) which controls the rhythm and included in the group "membranofon" is a musical instrument sound sources originating from the lining of leather or other materials.
Drums played by the most professional gamelan players, who have long plumbed the Javanese culture. Played drums most appropriate pengendang instinct, so when it is played by one person premises anyone else it will be different shades.
According to historical evidence, membranofon group has been popular in Java since the mid-ninth century AD with the name: padahi, pataha (padaha), murawa or muraba, mrdangga, mrdala, muraja, panawa, Kahala, damaru, drums. The term 'padahi' oldest graves can be found in the temple inscriptions which dates to 821 AD (Goris, 1930). As written in the book composed by MPU Prapanca Nagarakrtagama 1365 AD (Pigeaud, 1960), the term continued in use until the Majapahit era.
The mention of drums with different names indicate a variety of shapes, sizes and materials used, among others: a small drum, which is being held by the statue depicted the gods, these drums are called "damaru".

2. fiddle
Rebab appear in Java after the time of Islam around the tenth century, 15-16, is an adaptation of the bow of the Arabs who brought Islam by the propagator of Arab lands and India. Spreads in West Java, Central Java and East Java. Fiddle made ​​of wood and covered with a thin skin resonatornya, have two strings / strings and has a pentatonic scales. Musical instrument that uses a bow and have three or two pieces of rope from a metal wire (copper) is his use jackfruit wood (generally) and hollow on the inside covered with cow skin is dried as a loudspeaker.
Other traditional musical instruments that have a shape like a resonatornya Tehyan rebab is made ​​from coconut shell, fiddle this type can be found in Jakarta, Java and South Kalimantan
For Java and Yogyakarta Tengan, these instruments typically consist of wire-tightened string with two wires on wooden selajur with heart-shaped body covered with a membrane (thin skin) from the chronicle of cattle.
As one of the prominent instrument, fiddle song is recognized as a leader in the ensemble, particularly the wasp-style voice. In most of the piece-the piece, fiddle playing the opening song the piece, determine the piece, the barrel, and pathet to be played.
Fiddle tone region covers an area of ​​the piece just about anything. Then the groove track rebab gives a clear indication of the flow path track piece. In the majority of the piece, fiddle also gives guidance to the ensemble musical to switch from one section to another.

3. balungan(saron)
Instrument that is shaped Wilahan (Java: keys) with six or seven wilah (one octave) superimposed on a wooden frame that also serves as a resonator is beaten with a wooden drum.
In this balungan play, right-handed hitting wilahan / sheet metal with a drum, then the left hand punch that knocked wilahan previously to eliminate the hum tone left over from previous beatings. This technique is called memathet (basic words: pathet = push)
According to the size and function, there are three types of balungan:

a. Demung, these tools are large and middle beroktaf. Balungan demung play the piece in a limited territory. Typically, one device has one or two gamelan demung. But there are gamelan in the courts that have more than two demung.

Slenthem, according to its construction, including family slenthem gender; even he sometimes called gender panembung. But the bar has as many blades slenthem saron;
He beroktaf lowest in the group saron instruments (balungan). As demung and saron barung, slenthem balungan played in a limited territory.
Slenthem is one of the gamelan instruments consisting of large sheets of thin metal and strung with rope stretched across the tubes and produces low buzz or echo the tune saron, ricik, and balungan when beaten. As with the other instruments in a gamelan set, slenthem must have version and version slendro slendro. Wilahan Slenthem Pelog generally have a range of tones C to B, while slenthem slendro has a range of tones C, D, E, G, A, C '. How to play:

B.Slenthem beating the same way as beating balungan, ricik, or saron. Right-hand bat and left-handed swing to "patet", ie to withstand the vibrations that occur in sheet metal. In beating the much needed slenthem instincts or feelings of the musicians to produce an echo or a form of good buzz. In the notation C, D, E, G, for example, echoes the beating tone is generated when the right moment to be lost C D tone sounded, and so on.
For the playing of tempo, which used the same way as when using balungan, ricik, and saron. However, for certain circumstances such as demung returns, then slenthem played to fill the void between the tones are sounded balungan slow with doubled beating balungan beats. Or it could be on slenthem conditions must exist balungan beating and a half times as fast balungan being beaten, for example, when the piece Gangsaran.

C.bonang
This instrument consists of a set of ten to fourteen small gong-gong positioned horizontally arranged in two rows, placed on the rope which is stretched on wooden frames. Players sit in the middle on the side of a row of low beroktaf gong, percussion elliptic holding in each hand.
There are three kinds of bonang, differentiated by size, the octave, and its function in the ensemble. For the Javanese gamelan, bonang here there are 2 types namely barung and Bonang Bonang Successor / Penembung.

In the Central Javanese gamelan there are three types bonang used:
a. Bonang panerus
is the highest of them, and use the smallest kettle. Generally covers two octaves (sometimes more in the slendro in Solo-style instrument), covering approximately the same range with the saron and peking combined. He played rhythm bonang's fastest, withered with each other or play at twice the speed of bonang barung.

b. Bonang barung
who pitched one octave below the bonang panerus, and also generally covers two octaves, roughly the same class with a combined demung and saron. This is one of the most important instruments in the ensemble, because it signaled to many other players in the gamelan.

c. Bonang Panembung
is the lowest tone. It is more common in Yogyakarta gamelan style, covering approximately the same range and demung slenthem combined. When present in the style of gamelan Solo, may only have one row of six (slendro) or seven kettles came in the same list with slenthem. It is reserved for the toughest repertoire, usually played other forms of balungan.
The part played by bonang bonang panerus barung and more complex than many gamelan instruments, thus, is generally regarded as an instrument to elaborate. Sometimes the melody played by balungan, although generally altered in a simple manner. However, it also can play a more complex pattern, which is obtained by combining and panerus barung patters, such as mutual alternation of the (yield) and the interpolation of florid melodic patterns (have now).

5. Kenong
Kenong pencon gamelan instruments are elements of the most obese, compared with kempul and that although a large gong-shaped but flat. Kenong is structured in the form pangkon hardwood covered with ropes, so that when struck kenong will not be swayed to the side but can be swayed to the bottom, thus producing sound. Kenong great shape produces a low voice but loud with a distinctive timber (in the Java community caught the ear-rings ning nong, so called kenong). In gamelan, voice kenong fill the sidelines between kempul.
Gamelan is the second most important instrument after the gong. Kenong gong divides into two or four sentences kenong, or kenongan.
In addition to the structure function underlines the piece, the notes kenong also associated with the song the piece: he could play the same tune with the tone balungan, and may also precede the next balungan tone to guide the square the piece song, or he can play the tone is one kempyung balungan tone, to support a sense of pathet.
At kenongan fast style, the Yakan Ayaka, srepegan, and sampak, wasps kenong guide groove track is the piece-the piece.

Musical Instrument Making way Javanese gamelan

Bonang:

1-Make a solid beam as the body bonang.

2-Then make 4 small blocks to the foot bonang.

3-Then Unionkan body with four beams into kakinya.

4-Then create dishes with a mixture of spheres and cylinders, as many as 12 pieces. (Plate only affixed with a precision not diunionkan.

5-Make 2 pieces of the bat with a combined two-sphere and cylinder flat panjang.

As a decoration make two pairs of cylinders, large and small, kemudiangabungkan sphere with two cylinders in each of the base, with kesuluruhan laluunionkan bonang body areas, specifically the upper right corner dankiri above.

gambang:

1-Make a trapezoid-shaped space for up gambang.
2 body.

Then make a flat plate with 3 different sizes, each of six plates ukuranterdiri pipih.3.

To bat, made ​​a pair of torus and a pair of short cylinders to the head of the paddle, then the length of the cylinder to have adapted to handle torusnya, then unionkan cylinder head with two torus, then unionkan results with the handle in the form of a vertical cylinder of knock4.

As a decoration that will make diunion cone on the top right corner and kiriatas.

Gender
1.Make a solid block for the body gender.2.

3.Make as many as 13 buah.4 flat plate.
4.Then make  small beams to the legs of gender, then unionkan with bodygender.To bat, made ​​a pair of torus and a pair of short cylinders to the head of the paddle, then the length of the cylinder to have disesuaikandengan gagangya torusnya, then unionkan cylinder head with two torus, then unionkan results with the handle in the form of a horizontal cylinder to pemukulnya.
5.As a sweetener to the beaters make the place a vertical cylinder, horizontal cylinder and also create a body for gender sweetener.

Friday, February 17, 2012

Saxophone blowing just need a DO-RE- MI

When not figure alias do-re-mi we have seen, then semuapun easier. Play the saxophone so it is like when we whistle. Various tones we'd be able to shoot without keseleyo, without slenco blero alias. Sol tone we want for example, we will also be sol, not the neighboring cell or fi.Soal nada2 whichever is easier or more appropriate, or play rely on sheet music paper picture of the sprouts to be stared at it, or simply use not2 numbers that have been recorded in mind, let's examine the name bersama.Tentunya mind, where it should be where adherents at the head. Wherever goes, we are the owner of the head, no need to worry about missing ..., mind. So for instance we hit as.. pengin ngesax lust, or slipping in a musical band, do not hesitate we too can instantly join in, adding to the splendor of the atmosphere with the sound of melodious saxophone sound that we are inflatable. We can be so simple because the data that is not do-re-mi is first stored in memory. If we depend on the book of songs, we would not be pleasant as it is. Where bisaaa! If a book does not exist, we kutulah die ... Especially saxophone was blowing musical instruments, on which any hembusnya is located deket bener mouth with a heart. So that the expression of the liver, can be expressed directly through the mouth of the blow-blow, blow the saxophone. Pengin blowing kenceng sak pengin kayange or softly whispered as quietly as ..., it can be. All content and mood could appropriately expressed by the saxophone. So a lot of blowing his saxophone when fitting blow ..., brake! (Why brake?) With my eyes closed condition such that he certainly could not read. Where bisaaa .... Saxophone is expressive. Sometimes we made a physical appearance fooled by his players. In the figure of the old players, for example, turns in his chest kept the embers of a blazing spirit. This is reflected from the free tiupannya full of energy. Or in a figure that seemed grim and harsh turns out there are incredible laziness. Yes, the saxophone is so, pancen good. And understand, too ... not doremi, pancen need! Two forces that must be mated. If both are united, then the results can be expected that more stable, more ..., expressive! This is needed primarily to serve the kind of free game music, like Jazz or another, for example. And learn to do-re-mi's not hard. No different really to when we practice the vocal or singing. We just train yourself to the sounds of the song, then we can translate into not2 nya.Meniup Saxophone doremi figures or just need a DO, RE, MI

TIPS-LEARN TO PLAY THE saxophone

There are several requirements in playing Saxophone al:
Breathing techniques, Tone (Ambusheer) & fingering
BREATH: using abdominal and chest breathing, abdominal breathing means there is a way to take the breath right because the stomach can hold 12 liters of air, while the chest only holds 5 liters of air.
How to practice abdominal breathing al follows. :
Inhale by mouth and then stored in the stomach, the stomach tends to swell up so that the air is felt in the abdomen to the waist, then gently remove the hiss (efficient) and do it again (if the chest is expanded, it is called chest breathing, but when the chest is not moving and abdominal bloating means abdominal breathing has been done correctly).
Inhale by mouth and then stored in the stomach, so the stomach and then enlarged issued sedikit2 the hiss (like stomach pumping the air out sebagian2).
The recommended use abdominal breathing so that we can blow the saxophone is stronger and longer, while the breath of the chest may be used for emergencies (when we have to get a quick breath)

TONE: the most important thing in playing the saxophone, because the tone / sound is round / thick / bright to be tunable at the hearing and in harmony with other instruments.
How to practice:
Practice long tones at the beginning stacato way to tone the whole tone chromatic or all of the basic tone.
Practice long tones softly (piano) and loud tone (forte) or cressendo and decressendo.
Practice the lower and upper tone
Stacato practice and legato
Minimal practice long tones every day at least 15 minutes

Fingering: must be disciplined to use techniques that speed, accuracy and smooth each valve is pressed does not ring.

How to practice to become good fingering al:
Finger spacing of the keys / valves should remain close to the keys, so there is no distance when the finger does not press the keys.
Train a particular tone repeatedly that its position is difficult as C to D, C # to D, D # to E, F to F #, F to G #, F # to G #, G # to A, G kw A #, G # to A #, A # to B , A # to C, B to C etc.
Nada2 train chord like C - E - G - C, C - F, A, C, D, G, B, D and patern / etude / blues scale al (CD #-FF #-GA #), pentatonic (CDEGAC)
Sigh Reading and Primavista
Read music is one of the requirements in playing music, because to read music is a medium to play saxophone in a group with other musical instruments (band, ensemble, orchestra) to match, accurate and appropriate arrangements are expected by the arranger, composer and conductor.

In addition to read music helpful to know and learn lagu2 standards, pop and jazz music from anywhere and learn buku2 scale2, patern and improvisation of buku2 contoh2.

Primavista the accuracy of reading musical notes directly and quickly, so to be able to master primavista read music practice every day (at least 30 minutes).

Improvisation

Improvisation can be learned by meeting several requirements as follows. :
Mastered an understanding of chord contents and functions, so it's best to learn the saxophone to learn piano / guitar.
Practice patern / major etude, major6, dominan7, major7, major9, major11, major13, minor, minor6, minor7, minor9, diminished, augtemented, whole tone, etc.
Practicing the blues scale as CD #, F, F #, A #, C, pentatonic scale as CDEGAC etc..
Solvegio means capable of mastering the tone in the note numbers.
Many of the world as a reference CD saxophonist David Sanborn, Ernie Watts, Charlie Parker, Dave Koz, Stan Getz, pacuito de riviera, dave vallentine, Winton marsallis etc.
For those who just want to learn to play the song with a saxophone would have to master the order of the song (bait1, bait2, reff, bait3 or chorus) and not knowing the song, at least be able to feel nada2 of the song.

Thursday, February 16, 2012

The duration of music study for our success story

How long does it actually need to learn music? A year, two years, three years or what?
That's the question that I often hear from people who want to learn music. Also from parents who want their children to play music. Then, if there is a measure of time to learn music? Yet to this day I still continue to learn and recognize the fact that many are not I know about music.
But let's, I try to invite you to measure the time to learn music, based on hours of study are applied to the formal school or music lessons. The average one-hour music school lessons apply to face meeting with the instructor within one week. Or four hours in a month. While the degree courses usually must be followed for six months. So if the count is calculated, it takes 24 hours to complete one level (grade). Where each of the levels that typically have their own textbooks.
So you can imagine a textbook study of music in just 24 hours!
That's rough calculations. Because in reality, no one can eat textbook that day and night and can instantly play musical instruments perfectly. Talented he is, what else is not talented. One hour face to face the music school was applied to evaluate the extent to which the development of a given exercise. Moreover, the addition of new training material which will then be evaluated again next week. And so on, until the 24-week period is completed and must take the exam. If not passed, it repeats all over again!
Then, when mahirnya that learning just one hour a week?
In general the instructor will recommend to expedite the materials given out of hours learning. At least one hour a day! So if the count is calculated, seven hours a week or 168 hours to master the content of music lessons.
Is that already passed the book can already proficient?
Not necessarily! Because the contents of a book on the first level music lessons often dominated by the subject matter is only the basics of reading musical notes. At least if it is past the first book, we are good at reading musical notes. It's the most basic and a provision to move to the next level. To a two-volume book.
So how many books have advanced to the master?
To my knowledge, there are about 10 to 12 books that should be resolved in a particular music school. But I do not know whether their own instructors have completed the 12 books it or not. That means it took about six years to complete a formal musical education, and even then if no repetition.
Then, when we can accompany the singing?
It depends. If you have a strong musical talent, at the beginning of any level you will be able to accompany the song. With records, you pretty much mastered the chords on the fingers of your left hand and pretty much mastered the tone scale on the right hand fingers. You can play music just by listening to songs from cassette tape or CD. Without the need to find a notation first. But if you are less gifted, to finish 12 books also may be difficult to play your own songs. That happens, you can play the score or scores a song with a smooth and then memorize it. But if there is no score or partiturnya, you will have difficulty.
I've seen an orchestra pianist Telerama on television decades ago (forgot which year, because it was so long ago). If no one remembers the time he played with Jimmy Manoppo (drums) accompany the Star Radio and Television Festival. When accompanied the participants in the race, game piano keyboard and sweet. However, when calculating the value of the gap by a jury and there are participants who spontaneously contributed his voice, like a new game to learn. There is no harmonization with other players. The reason, he did not have partiturnya and do not know the song!
Can we conclude that the talent or the talent also has a huge role in terms of learning music. Without the talent that does not mean you can not learn music, but it takes time and determination to train your skills. Because playing music is a skill that every moment should be trained. Artist Paul Cezanne once said, "for me just one percent talent, 99 percent of the seriousness and exercise!" For any musician classmates Purwa Caraka admitted if it is not playing piano or keyboard for a day, their fingers would be stiff.

KORG AX1500G TONEWORKS, guitarist million digital effect

Here as well is a Digital Effects Processor with brands as its title suggests, we call it the efekGitar.aq deliberately adding the words "one million digital guitar effect" due to the fact that this efekGitar loads user. including me .....and also a number of guitarists that I know or not.I use this efekGitar long enough, some starting in 2002 (!), So I'm pretty knew him as a gear That suits me. pretty much to do with this efekGitar. I will discuss some of the advantages and disadvantages,and share experiences about TONEWORKS AX1500G.
may be useful.

for detailed specifications can click www.korg.com

descriptions and conclusions:

As with other Digital Effect Processors, AX 1500G is multi-effects processor. we can combine the types of effect processors in a single preset / bank. stepped on a pedal live button, we will get a combined distortion, modulation, ambience, custom active preamp pedal function by setting the bevariasi modeller where everything is editable. childlike, very fun when we have a lot of toys in a toy box us. 48 preset and 48 user multi-effects programs with up to 8 effects at once.

2. There is a facility record sound with a duration of 8 seconds or a choice of 16 seconds and can dimapping duration, and it's looping. very helpful in finding a lick of a song. staying plugged into the stereo line-in input, record by record button lick pedal when you play songs from MPlayer. then slowed the pace, you'll lick the same ngedapetin with a slower tempo. Cool is not it? or vice versa .. play licks with a slow tempo and then press the right (near the LCD), then you will mendapakan lickmu played (simultaneously) with a speed faster 2kali.

3.AX 1500G mine quite durable, no severe damage (because of what diligent aq yah? Hihi).
according surveyku, no decrease in the level of quality that is quite disturbing, which is on the screen comes into edit mode. and then effect change by itself, which is very disturbing live performance on stage or another time we show off (!) in front of friends. This disorder found in AX1500G aq Taiwan.kalo a Japanese-made artificial handal.tidak is broken like that .. (hiks..)
knob rotation is due to wear, where the grain of the Gramm stuck connector and electrical stepping menebabkan turn knob (edit mode) and access the menu of the knob.

Theory korg toneworks AX1500G

there are many who korg AX1500G toneworks nyari matter. Joe Satriani set for ax1500g interesting, amid the onslaught of advanced digital guitar effects pedal of the POD, VOX digital effect of the tube, not to mention from the DIGITECH diinjek pedals can slide right front and left rear (forgot his name, the series what yaa tuh), a group of BOSS GT started the series 1 until 10, even the most recent is the analog guitar effects hi-quality hand-made like lovepedals, as well as specialist manufacturers such as Dunlop MXR with her​​, .. most visitors of this blog nyari info about Korg AX1500G toneworks ... waw ... ni digEffect emang cool? ato many have? ato emang satisfying to perform? tuh easy question ... if have a nice guitar, and got a cool guitar, guitar effects is the next thing to be a concern .. yes it is the main focus, .. good at playing the guitar .. hehehe ... whereas I can only write, type aja .. problem with the guitar? more often drool ngliat laen a good friend ... What effect then guitar and then it becomes not important? hey hey, its not that much Kalee ... A good example is guitarist Joe Satriani. ni madman effect pedals. if according to google translate: D, Satriani effect pedals ever tell if it's always a challenge to be creative with the richness of sound it produces ... "Ai barrel pedals", .. sure that it tries ama Joe Satriani, effect an expensive huh? ...... effect pedal called a madman, Satriani was also tuh nyobain Korg AX1500G toneworks! ... unfortunately not be perform, hehehe ... evidence? There are 10 patch Joe Satriani-made for Korg AX1500G toneworks setting ... many already know siihhh ... only in this blog was not any info .. so .. I just add, good for reference and for the record .. let me not forget

Wednesday, February 15, 2012

Explanation of the sound wave

Sound waves consist of air molecules vibrate back and forth. Each time, the molecules were packed in several places, resulting in a high pressure region, but elsewhere stretched, resulting in a low pressure area. High and low pressure waves alternately moving in the air, spreading from the sound source. This sound wave delivers sound to the human ear, sound waves are longitudinal waves.

Molecule is defined as a group of atoms (at least two) that bind to each other is very strong (covalent) in a specific arrangement and electrically neutral and fairly stable.According to this definition, different molecules with polyatomic ions. In organic chemistry and biochemistry, the term is used in a less rigid molecules, organic molecules and biomolecules that were considered included the charged molecule.

In the kinetic theory of gases the term molecule is often used to refer to any gas particle does not depend on its composition.According to this definition noble gas atoms is considered as a molecule, although these gases consist of a single atom that is not binding.
A molecule may consist of atoms that berunsur same (eg oxygen O2), or composed of different elements (eg water H2O). Complex atoms and the associated non-covalently (eg, bound by hydrogen bonds and ionic bonds) is generally not regarded as a single molecule.

Basic theory of sound

Sound or sound is a mechanical compression or longitudinal waves that propagate through a medium. Medium or intermediate substances may be liquid, solid, gas. So, for example, sound waves can propagate in the water, coal, or air.
Most of the sound is a combination of various signals, but the pure sound can theoretically be explained by the speed or frequency of oscillation is measured in Hertz (Hz) and amplitude or loudness of sound measurements in decibels.

Humans hear when sound waves, the vibrations in the air or other medium, to the human eardrum. Limit the frequency of sound can be heard by the human ear is approximately from 20 Hz to 20 kHz in general amplitude with variations in the response curve. Sounds above 20 kHz are called ultrasound and below 20 Hz is called infrasound.

Teory Music for Good Newbie

Music theory is a branch of science which explains the elements of music. These disciplines include the development and application of methods for analyzing and composing music, and the relationship between music and nature music notation.
The things learned in music theory include, for example voice, tone, notation, rhythm, melody, Kontrapun Music,harmony, form of music, Theory Creating Songs.

Vote

The theory explains how the sound of music notated or written, and how sound is captured in the minds of listeners. In music, the sound waves are not usually discussed in the wavelength and period, but the frequency. Basic aspects of sound in music is usually described in the tala (UK: pitch, ie pitch), duration (how long the sound), intensity, and timbre (sound color).

Tone

Sound can be divided into a tone that has a certain pitch or tuning by frequency or by the relative distance of the high-pitch tone benchmark. Tuning differences between the two tones is called an interval. The tone can be set in steps of different tones. The most common scales are major scales, minor scales, and pentatonic scales. Fundamental tone of a musical work to determine the frequency of each tone in the work. Diatonic tones in western music theory were identified into 12 tones, each of which is named the tones C, D, E, F, G, A and B. As well as the chromatic tones Cis / Des, Dis / Es, Fis / Ges, Gis / As, and Ais / Bes.

Rhythm

Rhythm is the arrangement of sound in time. Bar is a division of the beats in time. Time signature indicates the number of beats in a bar and not where the calculated and considered as a single tap. Certain tones can be accentuated by the provision of pressure (and the distinction of duration).

Notation

Music notation is written depiction of the music. The beam notation, pitch depicted vertically while time (rhythm) is depicted horizontally. The two elements form the staff, in addition to the basic tone cues, tempo, dynamics, and so forth.

Melody

Melody is a series of tones in time. The series can be sounded alone, ie without accompaniment, or may be part of a series of chords in time (usually a series of high tones in these chords).

Melody tones are formed from a series of horizontally. Melody is the smallest unit of Motif. Is a three-note motive or intent or that have musical significance. Motif is a combination of Semi phrases, and phrases are a mix of Semi phrase (sentence). A The most common melody usually consists of two phrases, namely Semi interrogative sentence (Antisiden) and sentence answer (consequent).

Harmony

Harmony in general can be said as the event two or more different tones sounded simultaneously with the height, although harmony can also occur when the tones are sounded in sequence (as in the arpeggio). Harmony of three or more tones are sounded simultaneously is usually called a chord.